2024 I wrote the commissioned text for Glasgow International to go with the exhibition Unnatural* Urges by Laura Lulika, Hang Linton, Jack Murphy & Clay AD with curatorial support from Zoë Tumika.
2024 I wrote the commissioned text for Glasgow International to go with the performance Corpores Infames: Disreputable Bodies by Rabindrath X Bhose, Belladonna Paloma, and Oren Shoesmith
2024 Quad International Digital Fellow intro video
2023 I wrote the commissioned text for James Cabaniuk's exhibition "There's a hole in my Bucket" at Slugtown, Newcastle
2023 Dr Emeri Curd wrote a wonderful review of Earth AD 2 at FACT
2023 Morgan Jennings wrote a perfect review of Earth AD 2 at FACT
2023 I did an interview with Patrick Kirk-Smith on Earth AD 2 at FACT for Art in Liverpool
2023 In Conversation with Johanna Hedva at FACT Liverpool
2023 I wrote a review of Middlesbrough Art Week 2023 for Corridor 8
2023 I wrote a short story about being exhumed from a grave by a pack of dogs for Deleuzine Vol 2
2023 2 part podcast with my beloved Johanna talking about our research into occult La and film noir.
2023 I wrote a review of Two Plus Two Makes Four at The Auxiliary, Middlesbrough for Corridor 8
2022 I wrote a suite of illustrated poems entitled The Speculative Dismemberment of Agent Leon Kennedy published in the Market Gallery publication A Wet and Heavy Noise.
2021 I wrote a short story Waste Work is included in vol for of TEXTUR (FULL TEXT AT LINK).
2021 I was on a panel about disability and digital art
2021 I made a series of prints entitled Appropriate Technology which were included in Holly White's publication Leaving Biosphere 2.
2021 I did a workshop for University of The Underground on using diagrams and horror stories as creative methodologies
2021 I did a talk at merged Futures 3 on art and videogames and specuative horror and jank
Unfolding Shrines got reviewed in The Art Newspaper
As part of my 2021 fellowship at Akademie Schloss Solitude I was was intreviewed by my friend and guide through doom, Johanna hedva. We talked about heavy metal.
I did this interview with the wonderful Lesley Taker of FACT about a lot of related stuff, as I was making the game Animal Agency as part of the 2020 FACT Together digital fellowship.
I made digital toolkit thing to help artists use game mechanics as part of studio practice, it was comissioned by NewBridge Project in Newcastle and you can find it here
I was invited to contribute to this free zine edited by Lesley Guy which you can download here
I made some stuff for and editted Horsebites Zine w/ Elena Colman, Rebecca Bligh, Hestia Peppe, Sophie Helf online/in print which is here. If you emailme and i still have copies left, ill post you the printed version for free
Paperwork Issue 3 which contains an RPG I wrote and drew and you can find here.
I wrote a thing which is included in THE GRAVESIDE ORATIONS OF CARL EINSTEIN, which is here
The Bodies that Remain which contains some Buffy erotic fiction I wrote and you can find here.
An article I was interviewed for on the use of Gamesworkshop iconography in art which is here.
Alembic, a cyberfeminist publication put out by Res. Gallery, contains a SF rural horror story I wrote and you can find here.
So in 2020, I got a PhD. I think of it as a philosophy of art practice articulated through care. You can read the abstract here, and then if oyu want click through for the whole thing
I wrote a short story on SSRIs and love for collapsing brains as part of this anthology, "On Care" edited by Rebecca Jargoe and Sharon Kivland
Since about 2020, every time I write a proposal for something like commission or a conference or job or whatever I upload it here whether it is successful or not, I figure transparency is important.
When I was doing my PhD (2016-end of 2019) I archived all my work for internal milestones, project aproval, but also conference and exhibition applications, funding bids during that time. there's some horrible draft chapters in there too. I would not have got through my PhD without support from artists and researchers outside my instituion and I thik its important that we have this kind of transparency with our work. I'm always open to talking to people about applying/doing PhD research, you can get me at the email below.
