this is my CV, i last updated this on 7th February 2022
Education
AHRC funded PhD “Becoming Ahuman: making it desirable to abandon certainty, including certainty of the self and play in this chaotic situation”, Northumbria University, Newcastle. 2020
MA Sculpture, Royal College of Art, London. 2008
BA Hons (First Class) Fine Art, UEL, London. 2006
Select recent exhibitions and projects:
2021
Take The Moonlight by The Tail @ Arebyte Gallery, London (digital commission)
Animal Agency @ 17th Digital Art Festival, Athens. (digital commission)
Lich Way Party Train @ Wysing Arts Centre, Cambridge. (digital commission)
Rhizodome @ Gwenba.com. (digital group exhibition)
Unfolding Shrines @ Shape Arts, London. (Augmented Reality group exhibition)
Post-Doom @ Akademie Schloss Solitude, Stuttgart. (digital commission and interview)
Green Fuzz @ Xero, Kline & Coma, London. (two person exhibition w/ Alfie Strong)
The Heartbeat of Kong @ Royal Geographical Society, London (AAS performance)
Farming The Young @ IMT Gallery, London (AAS performance)
Holey Space @ Reading University (AAS performance)
(It's All) Tropical Presents Blind Date @ The Royal Standard, Liverpool. (performance and collaborative exhibition with Alfie Strong)
The Dying Midwest of Thulsa Doom @ Chisenhale Studios, London. (performance)
2015
Young Castle of the Elder Sun @ Flux Factory, New York & Gallery North, Newcastle (AAS performance)
Select Residencies/Fellowships:
2022: Online Residency with Alice Rekab @ Arcade-Campfa.org
2021: DIGITAL SOLITUDE ASSEMBLY @ Arc Bucharest
2021: Net//Work @ Wysing Art Centre
2021: Post-Doom @ Akademie Solitude
2020: Fact Together @ FACT, Liverpool
2017: Crip Theory @ Wysing Art Centre
2016: WorkLeisure @ Abingdon Studios
Select recent publications:
"The Speculative Dismemberment of Leon Kennedy" in A Wet and Heavy Noise. Market Gallery (2022 Forthcoming)
“Twyre is pain of the Steppe: death, dying, and the player as writer in Pathologic”. In Revenant Journal (2022 forthcoming)
"Waste Work" in TEXTUR ISSUE 4 (2022)
"Appropriate Technology" in LEaving Biosphere 2 CCA Glasgow (2021)
"Oh_The _Guilt_Puss_3". In Chain/Mail Issue 1; North East. Corridor8 (2020)
“As Plain as its Meaningless Name”. In On Care. MA BIBLIOTHÈQUE (2020)
“Widening Circles”. In The Graveside Orations of Carl Einstein. MA BIBLIOTHÈQUE (2019)
Horse Bites Fence. Arts Council England funded publication co-edited with Rebecca Bligh and Elena Colman (2019)
“Guage Fanfic”. In The Bodies that Remain. Punctum Books (2018).
“Axpansion”. In PaperWork Issue 3: Iilwimi lipsing (2018)
“Farmer 9”. In Alembic. Res (2018)
“Interview”. In Lossy Ecology. Flat Time House (2017
Select recent conference papers, presentations and workshops:
"Practice Based Art PhD Methodologies" delivered at Reading University (2022)
“Art as Waking up to a Nightmare” delivered at "Horror Programme", University of The Underground (2021)
"Art as a Road Trip" delivered at "AMPlify", Wysing Arts Centre (2021)
"Open Screen Panel Discussion" for "Arebyte Open Screen", Arebyte Gallery London (2021)
"Art as a Road Trip" delivered at "FACT Together", FACT Liverpool (2021)
"They Played us Like a Damn Fiddle" delivered at "TROUBLE IN OUTER HEAVEN: PORTABLE OPS PLUS", Southwark Park Galleries (2021)
“Dungeon Mechanics” delivered at "Feminst Painting School", Baltic, Gateshead (2021)
“Broken Vibes” delivered at "Merged Futures 3", Northampton University (2021)
“Gothic Vectors and Gothic Lacuna: Gender, Reparative Love, and Unseen Agency in Tai Shani’s “Phantasmagoregasm”” to be delivered at “Reimagining the Gothic 2020: Bodies and Genders” at University of Sheffield ( 2021, postponed by Covid 19)
“Bio-film Mansion Theory, or Making as Collaboration with Disorder” delivered at “Interdisciplinary Conversations Around Making”, Newcastle University (2019)
“There is no reason for you to live: ‘No World Dreamers, Sticky Zeitgeist episode 2: Aperitif’ as trans* Écriture Féminine” delivered at “Beyond the Console: Gender and Narrative Games”, London Southbank University, London (2019)
“Smeared into The Environment: Queer Horror and The Ahuman” delivered at “Don't Look: Representations of Horror in the 21st Century Symposium”, University of Edinburgh (2018)
“Coming Soon, From Your Cemetary: Horror / Play / Instability / Desire” delivered at Reading University (2019)
“Bio-Film Assemblages and Ahuman Horror” delivered at “Current Research in Speculative Fiction”, University of Liverpool (2018)
“The Revolutionary Praxis of Urban Galls” delivered at “Open Graves Open Minds & Supernatural Cities present: The Urban Weird” University of Hertfordshire (2018)
“Dog-Tech 1” delivered at “CDT Conference, Baltic Gateshead (2017)